![]() ![]() Although the last of these was panned by critics, it contains one of Kern and Hammerstein's best-loved songs, " All the Things You Are". Other Hammerstein/Kern collaborations include Sweet Adeline (1929) and Very Warm for May (1939). Their 1927 musical Show Boat is considered to be one of the masterpieces of the American musical theatre. Hammerstein, a co-writer of the popular Rudolf Friml 1924 operetta Rose-Marie, and Sigmund Romberg operettas The Desert Song (1926) and The New Moon (1928), began a successful collaboration with composer Jerome Kern on Sunny (1925), which was a hit. Among their many Broadway hits were the shows A Connecticut Yankee (1927), Babes in Arms (1937), The Boys from Syracuse (1938), Pal Joey (1940), and By Jupiter (1942), as well as many successful film projects. ![]() Rodgers continued to collaborate for more than two decades with Hart. ![]() Although Rodgers did not work with Hammerstein again until Oklahoma!, they achieved success independently from each other. Hammerstein, who was on the judging committee, added two songs in the revising stage. The songs for the show were originally written by Rodgers (a freshman) and Lorenz Hart. Īt Columbia University, Rodgers and Hammerstein collaborated on the 1920 Varsity Show, Fly With Me. Their musical theatre writing partnership has been called the greatest of the 20th century. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Academy Awards, two Pulitzer Prizes (for Oklahoma!, 1944, and South Pacific, 1950) and two Grammy Awards. Most of their shows have received frequent revivals around the world, both professional and amateur. Of the other four shows that the team produced on Broadway during their lifetimes, Flower Drum Song was well-received, and none was an outright flop. Five of their Broadway shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music, were outstanding successes, as was the television broadcast of Cinderella (1957). Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theatre. Rodgers and Hammerstein was a theatre-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Rodgers (left) and Hammerstein (right), watching auditions at the St. ![]()
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